RESOLUTION is an Integrated Production and Post Production business with over 25 years experience working with leading brands globally in delivering high quality craft in film production, VFX, CGI & Motion Design, and recently AR/VR and Experiences.
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September 9, 2021 — Comments are off for this post.
Resolution Reel 2021
July 20, 2021 — Comments are off for this post.
Nutrish Meal Soups
This beautifully crafted campaign brings together filmed sequences featuring people with a variety of busy lifestyles showcasing the speed of cooking the tasty soup from scratch. We styled the food and filmed in our own studio space, then crafted the edit adding original 2D characters over the next few weeks in After Effects.
To help with the comprehension of cooking time in the 30sec TVC we created an animated graphic device that would overlay the soup cooking on stove top. We filmed in real time in multi-passes and added a clockwise device overhead. Like so many visual effects, it was definitely trickier to pull together than it appears.
While crafting the animated characters our inspired artists built amusing loopable six second social spots that would extend the reach of the campaign and engage audiences across Facebook, Instagram and other platforms.
Published by res-admin in VFX
June 10, 2018 — Comments are off for this post.
Wake Up to Sleep
Director Tim Dyroff and a dedicated crew shot for 12 days around Australia from Sydney’s CBD in wind-down to the rugged corners of Tasmania and Western Australia to capture these stunning landscapes by night. Nothing was more important than seizing these nocturnal moments…not even sleep!
Working closely with the amazing team at AJF Partnership Melbourne, Resolution was able to craft this stunning brand campaign under one roof for Forty Winks seamlessly blending cinematography with CGI installations and camera tracked star plates. We also took on all the print photography and cleanups to unify the visual assets and style.
Watch the before and afters reel below to find out more
Published by res-user in VFX
March 2, 2015 — Comments are off for this post.
Fear Less
It’s not often that we are asked to scare our audience. What a pleasure to delve into the darker emotion of FEAR utilising exploding, leaking, and contaminated typographic executions for Shift, Sydney. Fast-paced and beautifully lit, the menacingly abstract renditions are supported by closely mic’d sound effects courtesy of Noise International.
February 23, 2015 — Comments are off for this post.
Your Finder
Around 20 holiday icons were created in 3D with a simple shaded look. The clean graphic set-up allowed the team to continually bounce between complex and simpler compositions, allowing the viewer to be both teased with the dazzling patterns, while also making sense of the objects unraveling before them. The camera travels forward at a measured pace representing both the idea of travel and ‘smooth sailing’ in the website experience.
February 22, 2015 — Comments are off for this post.
Devil’s Cut
In 2013 this spot for Devil's Cut won one of only three Global Effies. Creating it involved two months of painstakingly detailed 3D design, texturing & animation, that grew in scope as the sophistication of the look for the barrel and hero droplet increased. Devising a wooden barrel that could convincingly twist, without feeling too rubbery was extremely complex, but a great challenge.
February 20, 2015 — Comments are off for this post.
Bom Bom Bom
The three day shoot was shot in an eggshell studio to give a 360º environment providing endless depth. A huge 36 products are advertised across the campaign, each one a mini-commercial in itself. When a product would be difficult to shoot or animate to the beat, Resolution created it in 3D; allowing the freedom to view it from any angle and animate in ways impossible to shoot in camera.
Published by Matt Pratley in VFX
February 18, 2015 — Comments are off for this post.
Possibilities
Online, the most played RES commercial ever (so far), this entirely 3D TVC features a wide variety of juxtaposing but complementary typography, design and animation. The type is displayed within some complex 3D environments, and in contrast to that, the elemental fonts are employed against flat backdrops.
Published by res-admin in VFX
February 17, 2015 — Comments are off for this post.
Ryobi Cup: One Day Opening Titles
We were totally buzzed when we got the brief from Fox Sports to shoot the WACA scoreboard and grounds for the Ryobi Cup series. Directed by Tim Dyroff and shot by Geoff Hall ACS in a gruelling one day shoot, we were able to use the actual scoreboard keepers and emerging cricket talent to create a broadcast package that fit the brief to move away from a typical 3D opener.
February 16, 2015 — Comments are off for this post.
175 Years
This has been one of our largest shoots, spanning 9 locations over 6 days. To assist the live action shoot, we set up a 3D/2D suite on-set, so the director and agency could visualize in real time how the virtual environment and Arcade shoppers were working together; taking into account camera angle options, shop windows & doors so that everything came together seamlessly in post.
February 12, 2015 — Comments are off for this post.
“Nick” & “Beth”
Capturing great performance as a director can be difficult if the scene also requires complex VFX. In this compelling spot that was certainly the case, as we travel back in time to the moment a workplace accident changes everything. The overall outtake is definitely an emotional one. Edit, Grade and VFX all done at RES.
Published by res-admin in VFX
February 11, 2015 — Comments are off for this post.
East West 101
A Silver PromaxBDA Award winner, this dark and emotive promo for acclaimed SBS drama, East West 101 is directed by Tim Dyroff & produced by RES.
Published by res-admin in VFX
February 10, 2015 — Comments are off for this post.
Amarok
We open on a wide shot of a desert landscape and Amarok driving on a dirt track away from camera. The off-road VW Amarok takes us on a journey through the famous Dakar Rally before sliding into a pristine white studio environment. Resolution seamlessly added decals, created set extensions and built an entirely 3D vehicle for its final presentation.
February 10, 2015 — Comments are off for this post.
Baby
Saatchi & Saatchi teamed up with RES to capture the fun of childhood in this delightfully fresh and heart-warming campaign. Origami paper illustrations were animated in stop-motion style and combined with adorable live action babies to create a world of play and magic. Shot in a green-screen studio, RES wrangled 20 babies in a massive one-day shoot.
Published by Matt Pratley in VFX
February 7, 2015 — Comments are off for this post.
The Block: Sky High
One of a series of titles packages we have completed for The Block, and a real collaboration between 3D and 2D design to bring the paper city and apartment block to life. The show keeps rating its socks off and we're very proud to be involved with such a dynamic and popular franchise.
February 5, 2015 — Comments are off for this post.
Pole Dancing Geisha
Showing our wilder side, RES was commisioned to design all of the classic tattoos and great characters that inhabit this TVC and bring them to life in a eye-popping spot for cinema release. We shot the talent in studio and then projected the animation onto a virtual 3D body to achieve the seamless journey and flow the energy drink brief required.
February 4, 2015 — Comments are off for this post.
My Family
The story of an adventure told through a child’s eyes is brought to life through this beautiful animated piece. Characters from the My Family sticker series were created in 3D to take us on the journey, before settling in place on the back of their Kluger windscreen. The photo-real Kluger was built entirely in 3D in a CG studio environment.
January 29, 2015 — Comments are off for this post.
The ‘Nice to Haves’ and the ‘Must Haves’
This TVC evolved from an exploration into projected imagery onto and around the vehicle, resulting in a modern and impressive visual feast. The car acted as a blank canvas for the projections within a minimalist gallery-like space. As production company and post house, we experimented with real life projections & lighting techniques in order to perfect reflections, refraction & light spill.
Published by res-admin in VFX
January 29, 2015 — Comments are off for this post.
Life Changes
Life changes. Could anything be truer? and what a fun brief to bring to the screen with a heightened sense of 3D photorealism. Harnessing an arsenal of visual effects from flash floods to jumping fish, terry towelling toys and self destructing briefcases. Feast your eyes on the things life throws at you in 30 quick seconds.
Published by res-user in VFX
January 28, 2015 — Comments are off for this post.
Very GC
Using a totally fresh approach to promoting Australia’s Gold Coast, RES was commissioned by M&C Saatchi to illustrate and animate a beautifully contemporary mood piece for print and motion to show the attractions of the region. We pulled a great team of animators together and a both traditional and computed aided technique was melded into one beautifully layered style.
Published by res-user in VFX
January 20, 2015 — Comments are off for this post.
Kelly Bayer Rosmarin
One of five spots for Commbank that share the vision and capacity of Australia's largest retail bank using its leading managers as talent. We shot in studio and on location then intercut the material with simple and subtle graphic touches to add a branded look.
Published by Matt Pratley in VFX