RESOLUTION is an Integrated Production and Post Production business with over 25 years experience working with leading brands globally in delivering high quality craft in film production, VFX, CGI & Motion Design, and recently AR/VR and Experiences.
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September 9, 2021 — Comments are off for this post.
Resolution Reel 2021
May 16, 2016 — Comments are off for this post.
Whatever The Yes
Yes is a word we like, and when we spoke to M&C Saatchi about working with them on this piece for Optus, it was the first word that sprung to mind. M&C were seeking something fresh to kick-off the Yes TV by Fetch launch. We wanted to design illustrations and imagery that not only matched their branding, but stood out from the crowd. We had plenty of fun coming up with playful ways to incorporate dynamic animation inspired by the featured shows, with a world of entertainment.
Published by res-user in VFX
March 2, 2015 — Comments are off for this post.
Fear Less
It’s not often that we are asked to scare our audience. What a pleasure to delve into the darker emotion of FEAR utilising exploding, leaking, and contaminated typographic executions for Shift, Sydney. Fast-paced and beautifully lit, the menacingly abstract renditions are supported by closely mic’d sound effects courtesy of Noise International.
February 28, 2015 — Comments are off for this post.
It’s a Long Story
The team worked tirelessly for a solid two months using a mix of live-action, stills photography, 2D & 3D animation, and just about every post trick up our collective sleeve. Bulleit was one of those projects that happen now and again that allow you total creative freedom to explore and create some amazing work. The team heavily invested in the project and were extremely passionate about pulling off something so ambitious.
February 27, 2015 — Comments are off for this post.
The Art of Noise
Directed and animated by Dylan McIntyre, ‘The Art of Noise’ won one of only two silver Cannes Design Lions in 2013. With a VO and over 20 SFX to illustrate, we created a 90 second animation that would directly connect ‘what you hear’ with ‘what you see’. Through custom scripting, McIntyre developed a way to feed soundwaves through pictures. The audio is fed through the linework, distorting the line to reflect the bass or treble.
February 27, 2015 — Comments are off for this post.
Ka-Ching! Pokie Nation
‘Ka-Ching! Pokie Nation’ is a very powerful documentary that screened on the ABC, that lifts the lid on the inner workings of the gaming industry. Working with Director Jane Manning from Looking Glass Pictures and the late Neil Lawrence, Resolution had the complex task of visualising some of the extraordinary statistics and science at play.
Published by res-user in VFX
February 23, 2015 — Comments are off for this post.
Your Finder
Around 20 holiday icons were created in 3D with a simple shaded look. The clean graphic set-up allowed the team to continually bounce between complex and simpler compositions, allowing the viewer to be both teased with the dazzling patterns, while also making sense of the objects unraveling before them. The camera travels forward at a measured pace representing both the idea of travel and ‘smooth sailing’ in the website experience.
February 22, 2015 — Comments are off for this post.
Devil’s Cut
In 2013 this spot for Devil's Cut won one of only three Global Effies. Creating it involved two months of painstakingly detailed 3D design, texturing & animation, that grew in scope as the sophistication of the look for the barrel and hero droplet increased. Devising a wooden barrel that could convincingly twist, without feeling too rubbery was extremely complex, but a great challenge.
February 20, 2015 — Comments are off for this post.
Bom Bom Bom
The three day shoot was shot in an eggshell studio to give a 360º environment providing endless depth. A huge 36 products are advertised across the campaign, each one a mini-commercial in itself. When a product would be difficult to shoot or animate to the beat, Resolution created it in 3D; allowing the freedom to view it from any angle and animate in ways impossible to shoot in camera.
Published by Matt Pratley in VFX
February 19, 2015 — Comments are off for this post.
Air Force 1
February 18, 2015 — Comments are off for this post.
Possibilities
Online, the most played RES commercial ever (so far), this entirely 3D TVC features a wide variety of juxtaposing but complementary typography, design and animation. The type is displayed within some complex 3D environments, and in contrast to that, the elemental fonts are employed against flat backdrops.
Published by res-admin in VFX
February 16, 2015 — Comments are off for this post.
175 Years
This has been one of our largest shoots, spanning 9 locations over 6 days. To assist the live action shoot, we set up a 3D/2D suite on-set, so the director and agency could visualize in real time how the virtual environment and Arcade shoppers were working together; taking into account camera angle options, shop windows & doors so that everything came together seamlessly in post.
February 14, 2015 — Comments are off for this post.
Overnights
This TVC for Photoplay's Lucinda Schreiber is a wonderfully composited and graded live-action spot with spectacular type treatments designed to bring a light-hearted feel to a less fun situation. Although completed with our usual array of technology we hand animated many of the fonts and designs so they felt old school and fun.
February 10, 2015 — Comments are off for this post.
Baby
Saatchi & Saatchi teamed up with RES to capture the fun of childhood in this delightfully fresh and heart-warming campaign. Origami paper illustrations were animated in stop-motion style and combined with adorable live action babies to create a world of play and magic. Shot in a green-screen studio, RES wrangled 20 babies in a massive one-day shoot.
Published by Matt Pratley in VFX
February 7, 2015 — Comments are off for this post.
The Block: Sky High
One of a series of titles packages we have completed for The Block, and a real collaboration between 3D and 2D design to bring the paper city and apartment block to life. The show keeps rating its socks off and we're very proud to be involved with such a dynamic and popular franchise.
February 6, 2015 — Comments are off for this post.
Beautiful Innovation
We worked with BWM to develop a script and treatment that would culminate in the reveal of an impressive floral creation. Director Dylan McIntyre got up close and personal with an array of stunning seasonal flora, resulting in some incredible views of flowers in bloom, rarely seen. Macro photography was used to create a sense of this hidden world, allowing the viewer to focus on the form, textures and colours of the intriguing imagery.
Published by Matt Pratley in VFX
February 5, 2015 — Comments are off for this post.
Pole Dancing Geisha
Showing our wilder side, RES was commisioned to design all of the classic tattoos and great characters that inhabit this TVC and bring them to life in a eye-popping spot for cinema release. We shot the talent in studio and then projected the animation onto a virtual 3D body to achieve the seamless journey and flow the energy drink brief required.
February 4, 2015 — Comments are off for this post.
My Family
The story of an adventure told through a child’s eyes is brought to life through this beautiful animated piece. Characters from the My Family sticker series were created in 3D to take us on the journey, before settling in place on the back of their Kluger windscreen. The photo-real Kluger was built entirely in 3D in a CG studio environment.
February 1, 2015 — Comments are off for this post.
Who Are You?
An oldie but a goodie. This spot was done at a time when everyone was referencing Gnarls Barkley's Crazy. Of course it's fine to reference things, but in the end you want to make something that feels original and true to the product - this is a fine example of that.
January 30, 2015 — Comments are off for this post.
Country Stones: Lizard
Choosing to steer away from a fully animated approach for this spot, Director Tim Dyroff decided to film a real lizard, animating 3D facial movements in post. The VO is a real customer testimonial, and nuances of his facial movements and mannerisms were delicately blended into the animation.
January 29, 2015 — Comments are off for this post.
Life Changes
Life changes. Could anything be truer? and what a fun brief to bring to the screen with a heightened sense of 3D photorealism. Harnessing an arsenal of visual effects from flash floods to jumping fish, terry towelling toys and self destructing briefcases. Feast your eyes on the things life throws at you in 30 quick seconds.
Published by res-user in VFX
January 28, 2015 — Comments are off for this post.
Very GC
Using a totally fresh approach to promoting Australia’s Gold Coast, RES was commissioned by M&C Saatchi to illustrate and animate a beautifully contemporary mood piece for print and motion to show the attractions of the region. We pulled a great team of animators together and a both traditional and computed aided technique was melded into one beautifully layered style.
Published by res-user in VFX
January 26, 2015 — Comments are off for this post.
The Only One
This great music video came out as part of the launch of the Australian movie, ‘Hey Hey It’s Esther Blueburger’ for singer Bertie Blackman. Apart from producing the shoot through RES for Director Greg Stern, we came up with another layer of imagined narrative that was tracked into the action, all made out of paper cutouts and chalkboard art.