RESOLUTION is an Integrated Production and Post Production business with over 25 years experience working with leading brands globally in delivering high quality craft in film production, VFX, CGI & Motion Design, and recently AR/VR and Experiences.
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September 9, 2021 — Comments are off for this post.
Resolution Reel 2021
June 10, 2018 — Comments are off for this post.
Wake Up to Sleep
Director Tim Dyroff and a dedicated crew shot for 12 days around Australia from Sydney’s CBD in wind-down to the rugged corners of Tasmania and Western Australia to capture these stunning landscapes by night. Nothing was more important than seizing these nocturnal moments…not even sleep!
Working closely with the amazing team at AJF Partnership Melbourne, Resolution was able to craft this stunning brand campaign under one roof for Forty Winks seamlessly blending cinematography with CGI installations and camera tracked star plates. We also took on all the print photography and cleanups to unify the visual assets and style.
Watch the before and afters reel below to find out more
Published by res-user in VFX
June 8, 2016 — Comments are off for this post.
Elevit: Core
This breath-taking piece of live-action, design and animation takes you into the world of an unborn child as it develops over nine months. Directed by Tim Dyroff, who subtly captures the miracle of life unfolding with warmth and a sense of discovery. This project was beautifully realised by our 3D team who used their finesse to create the life like skin textures, fluids and movements of a growing baby. It has been a special opportunity for us to collaborate with Bayer and JWT to take audiences into this unprecedented territory.
March 2, 2015 — Comments are off for this post.
Fear Less
It’s not often that we are asked to scare our audience. What a pleasure to delve into the darker emotion of FEAR utilising exploding, leaking, and contaminated typographic executions for Shift, Sydney. Fast-paced and beautifully lit, the menacingly abstract renditions are supported by closely mic’d sound effects courtesy of Noise International.
March 1, 2015 — Comments are off for this post.
Barangaroo: Urban Regeneration
A beautifully crafted visualisation of Lend Lease's Barangaroo development, brought to life as an architect's model, seen through the eyes of a young family. This script involved a one day shoot at the construction site with many logistical considerations and extensive VFX augmentation in post. Since a wooden model would need to be absolutely accurate, building it physically for filming would have been expensive and impractical, so we made it in 3D.
February 28, 2015 — Comments are off for this post.
It’s a Long Story
The team worked tirelessly for a solid two months using a mix of live-action, stills photography, 2D & 3D animation, and just about every post trick up our collective sleeve. Bulleit was one of those projects that happen now and again that allow you total creative freedom to explore and create some amazing work. The team heavily invested in the project and were extremely passionate about pulling off something so ambitious.
February 23, 2015 — Comments are off for this post.
Your Finder
Around 20 holiday icons were created in 3D with a simple shaded look. The clean graphic set-up allowed the team to continually bounce between complex and simpler compositions, allowing the viewer to be both teased with the dazzling patterns, while also making sense of the objects unraveling before them. The camera travels forward at a measured pace representing both the idea of travel and ‘smooth sailing’ in the website experience.
February 22, 2015 — Comments are off for this post.
Devil’s Cut
In 2013 this spot for Devil's Cut won one of only three Global Effies. Creating it involved two months of painstakingly detailed 3D design, texturing & animation, that grew in scope as the sophistication of the look for the barrel and hero droplet increased. Devising a wooden barrel that could convincingly twist, without feeling too rubbery was extremely complex, but a great challenge.
February 20, 2015 — Comments are off for this post.
Bom Bom Bom
The three day shoot was shot in an eggshell studio to give a 360º environment providing endless depth. A huge 36 products are advertised across the campaign, each one a mini-commercial in itself. When a product would be difficult to shoot or animate to the beat, Resolution created it in 3D; allowing the freedom to view it from any angle and animate in ways impossible to shoot in camera.
Published by Matt Pratley in VFX
February 19, 2015 — Comments are off for this post.
Air Force 1
February 18, 2015 — Comments are off for this post.
Possibilities
Online, the most played RES commercial ever (so far), this entirely 3D TVC features a wide variety of juxtaposing but complementary typography, design and animation. The type is displayed within some complex 3D environments, and in contrast to that, the elemental fonts are employed against flat backdrops.
Published by res-admin in VFX
February 10, 2015 — Comments are off for this post.
Amarok
We open on a wide shot of a desert landscape and Amarok driving on a dirt track away from camera. The off-road VW Amarok takes us on a journey through the famous Dakar Rally before sliding into a pristine white studio environment. Resolution seamlessly added decals, created set extensions and built an entirely 3D vehicle for its final presentation.
February 9, 2015 — Comments are off for this post.
Summer
We hit the ball right out of the park on this amazing VFX job for Director Josh Frizzell. Combining bluescreen talent into a seamless 3D bottle was no easy task but the result still amazes. RES provided on-set supervision, grading and over 60 VFX shots to make this epic spot magic.
February 7, 2015 — Comments are off for this post.
The Block: Sky High
One of a series of titles packages we have completed for The Block, and a real collaboration between 3D and 2D design to bring the paper city and apartment block to life. The show keeps rating its socks off and we're very proud to be involved with such a dynamic and popular franchise.
February 5, 2015 — Comments are off for this post.
Pole Dancing Geisha
Showing our wilder side, RES was commisioned to design all of the classic tattoos and great characters that inhabit this TVC and bring them to life in a eye-popping spot for cinema release. We shot the talent in studio and then projected the animation onto a virtual 3D body to achieve the seamless journey and flow the energy drink brief required.
February 4, 2015 — Comments are off for this post.
My Family
The story of an adventure told through a child’s eyes is brought to life through this beautiful animated piece. Characters from the My Family sticker series were created in 3D to take us on the journey, before settling in place on the back of their Kluger windscreen. The photo-real Kluger was built entirely in 3D in a CG studio environment.
January 30, 2015 — Comments are off for this post.
Country Stones: Lizard
Choosing to steer away from a fully animated approach for this spot, Director Tim Dyroff decided to film a real lizard, animating 3D facial movements in post. The VO is a real customer testimonial, and nuances of his facial movements and mannerisms were delicately blended into the animation.
January 28, 2015 — Comments are off for this post.
Big Bash
To assist the live action shoot, we set up a 3D/2D suite on-set, so both Director and Agency could visualize in real time how the virtual environment and green screen cricket performances were working together. Camera angles, eye lines and correct heights were all pre-planned so that everything came together seamlessly in post.
January 21, 2015 — Comments are off for this post.
History
We were asked by HTC to develop a brief history of the company and their remakable innovations using a warm palette of 2D and 3D techniques and artistry. We developed the concept of a 'notebook of ideas' brought to life with each new page and technological evolution in the company's unique story.
Published by Matt Pratley in VFX